Ben Norris Papers

Collection

Identifier: MANUSCRIPT-CAHA00005

Staff Only

Scope and Contents

This Collection includes the faculty papers of Ben Norris who was a professor and chair of the Art Department; papers were originally acquired by the Library in 1976. Additions cover his work as a prominent Hawaii artist. Studio lists, art exhibitions, clippings, correspondence, journals, diaries, scrapbooks, writings , photographs of his art, and catalogs are included.

Dates

Creation: 1920 - 2003
Creation: Majority of material found within 1934 - 1999

Conditions Governing Access

This collection is part of the Archive of Hawaii Artists & Architects. Access is by appointment only. Please contact the Art Archivist Librarian at the Jean Charlot Collection by email: charcoll@hawaii.edu or phone: 808-956-2849.

Biographical / Historical

Born in Redlands, California in 1910, self-taught painter Ben Norris’s (1910-2006) career spanned over seven decades. As a child, Norris had a deep fascination with music, which fed his interest in artistic expressions of real life. He even developed an early appreciation for tropical flora while working at a nursery. This fascination turned into academic interest, as Norris entered Pomona College in 1927. He studied Art and Taxonomic Botany and graduated magna cum laude in 1931.

Later that year, Norris became the first recipient of the William Lincoln Honnold Fellowship at Harvard University’s Fogg Museum, where he studied art history and Japanese art. The city’s architecture also exposed Norris to a culture of high art, where he was able to etch the Romanesque buildings around him. In 1932, he moved to Paris to continue his graduate studies at the Institut d’Art et d’Archéologie á la Sorbonne. There, Norris travelled across Europe and continued to teach himself how to paint in watercolor, etching landscapes and architecture he encountered along the way.

Although determined to make a career out of his art, the Great Depression put serious pressure on Norris to join the education profession. In 1936, he moved to the island of O'ahu in Hawai'i and had the opportunity for a major showing of his work at the Honolulu Academy of Arts immediately upon arrival. Norris also became the first art teacher at the Kamehameha School for Boys, where he taught for a year. While teaching, Norris also continued perfecting his craft in watercolor, exploring the environment of his new home. By 1937, Norris was offered a position at the University of Hawai'i in the Art department. He joined the faculty, but also continued his love for painting in a small studio, formerly a hotel kitchen in downtown Honolulu.

Norris’s career at the University was dynamic. He had the opportunity to meet with Hawai`i’s emerging and established artists, such as Madge Tennent, who took Norris under her wing. He also travelled across the United States to display his work in a number of exhibitions. By 1942, Norris was an established member of faculty, but was forced to take a hiatus, after the Japanese attack on Pearl Harbor. The University ceased most of its operations until the war ended, and Norris had taken a job with the 14th Naval District and the U.S. Geological Survey. When University operations resumed in 1945, Norris was appointed head of the Art department, which he served until 1955.

The Art department at the University of Hawai'i was greatly influenced under Norris’s guidance. Norris introduced sculpture, photography, art history, and architecture courses to the University. Perhaps more significantly, his ability to secure visits by renowned artists to the islands transformed art in Hawai'i. Artists such as Jean Charlot, Dorothea Tanning, Max Ernst, and Josef Albers all came to O'ahu as artists-in-residence because of Norris. These artists influenced Norris’s own work, which transitioned from realist expressions of the landscape to abstraction using collages.

Norris retired from the University in 1976 as and spent the rest of his life in New York and Philadelphia, where he died in 2006. A self-taught painter, Ben Norris spent over seven decades painting, sketching, and innovating his work, resulting in many awards and prizes over his lifetime. Norris’s work was often described as emotional and captured views of “real life” using vibrant and rich colors. His work was often grounded in the land, even as his work transitioned into abstraction and naturalism. Norris had twenty-five independent shows and exhibitions, as well as many group exhibitions, including shows at the de Young Museum in San Francisco and the Metropolitan and Whitney museums in New York. Coming full-circle, Norris’s last major independent exhibition was in the fall of 2001, where his Rain Forest Series opened at the Honolulu Academy of Arts.

-- Bio by Chase Benbow, October 2019